Save this article to read it later.

Find this story in your accountsSaved for Latersection.

Genevieve (Miriam Silverman) is in the middle.

Article image

At least, the women do.

Juarez was wonderful the hairs on the backs of our necks stand up.

Somethings out of joint.

The world hurtles forward yet nothing moves.

Everywhere), he keeps them invisible and shell never need to know where they go.

And theres that ghost, faceless, needy, and menacing and hellbent on keeping Isabel in the theater.

He wrestles her back onto the stage when she panics and tries to make a metatheatrical break for it.

As Isabel discovers, say Plano enough times and it starts to warp into Play No.

The chronology of events in Arberys play is less significant than the feeling of cyclical vertigo it induces.

I dont know why Im suddenly a mother, and a wife.

And I dont know why Im suddenly 35.

I want everything to be okay.

Why cantIbe the one who has two bodies?

Me and the other me?

One body gives a fuck, the other body doesnt give a fuck.

Silverman, Finn, and Flood feed each other, and feedoffeach other, with electric energy and precision.

I wish there had never been a Steve!, Genevieve howls in frustration to her sisters.

And I wish thered never been that fucking Norwegian book.

The one that enabled him?

About the white guy struggling?

As we left, the friend who sawPlanowith me compared it toEternal Sunshine of the Spotless Mind.

The horror of the internal landscape and the way the world has somehow surreptitiously cultivated it without our consent.

Planois at theConnelly Theater.