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You never know what youre going to get with her.
2008sBreakoutwas all clinical pop-rock sounds.
2010sCant Be Tamedtraded clipped guitars for Britney-esque synth-pop and ballads.
2013sBangerzmade a beeline for all the hottest names in hip-hop.
2015sDead Petztraded beats for psychedelic space pop.
2017sYounger Nowsold a more organic rendering of the rock and pop style of the Hannah Montana years.
Miley rejecting rap as strongly as she embraced it makes it hard to trust her intentions in the scene.
It embraced Cyruss milewide country streak while providing a slippery blend of dance-pop and Americana production values underfoot.
She Is Comingis a return to form (of sorts?)
wisely revisit the chipper mood of Mileys best-loved hits.
(I still hear Party in the U.S.A. at bars, and people still go up for it.)
The understated trap production and festive lyrics work well.
We dont deserve him.
She Is Comingdoesnt go off without a hitch, though.
Cattitude pairs Cyrus with RuPaul for a ballroom track that is better in ideas than execution.
Even when she misses here, it feels like Cyrus is trying.
