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Some tracks reflect certain characters or places, others set the mood for the scene.
And obviously that conversation must have gone quite well because we ended up getting to work on it.
The easygoing, head-bopping number sets the tone for the character.
Shes haunted but also full of life.
The series bookends itself with another Whack track, Gloria, in the final episode.
I think its clever the series is also finished with another Tierra Whack song.
Pull Up was one we had in our original list that we sent over to Michaela, says Elwis.
I feel like its got a feminine strength to it.
Shes like,No, Im going to overcome this; I dont need a guy.
We had four or five different options for one scene because everything seemed hazardous to use.
But two songs stood out to Elwis that made sense.
[Another that comes to mind] is Take It There, which isnt even out yet.
But I really hope he releases it soon because people seem to love it.
That scene was actually the first thing that we worked on.
I think Michaela has worked with Kojey [Radical] quite a few times before.
Elwis credits the episodes editor.
All the episodes in some ways have their own individual thing, and nine isthat beautiful Halloween episode.
Its also quite dark and mysterious, and about social media.
Its almost likeBlack Mirroresque.
We knew that we wanted to have a very British feel to it.
Its actually useful to have instrumental stuff that feels upbeat and current.
The Blackbyrds Street Games is another recurrence.
Its this upbeat, jaunty thing.
You know what youre going to get when she goes to Susys, says Elwis.
Its almost like the musical version of the Wah-wah-wah.
