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Then theres the directors control of tone.
(Hes helped immeasurably by the aching strings of Dan Levys lovely score.)
Nouafel and Gabrielle both dream of openness, blankness.
She looks at a photo of the Arctic and marvels at its uninhabited majesty.
He dreams of high views and empty horizons.
But this seems at least partly by design.
Its an allegory for the way that trauma prevents us from seeing all thats possible and moving on.
