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Its widespread, the default, the point of view of implicit power and heterosexual lust.

Jennifer Lopez and Constance Wu in Hustlers

Both evoke that truth with camerawork that echoes the perspectives of its main characters.

Its an effect that anoints her, and eventually Destiny, with a sense of ownership.

The dressing room is a whole other space, physically and mentally.

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Portrait of a Lady on Firehasnt reached U.S. theaters yet.

Of course, the ones who actually accomplish that are the cops.

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Jennifer Lopez in Hustlers