How Matthew Lopez adapted E. M. Forsters Edwardian novel into the modern-day queer playThe Inheritance.
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(One character unveils a key to Gramercy Park like its a holy relic.)
Its fucked up, isnt it?
In figuring out Walter, I figured out the house, Lopez says.
In fact, theres a bit of Leonard in Toby, too, as we eventually discover.
New York City mythology is rent control.
That dynamic of generations and classes colliding that was really interesting to me.
Thats just so boring to me as drama, he says.
A boycott is literally a refusal to engage.
That scene has to be about the willingness to engage.
The Inheritanceis at the Ethel Barrymore Theatre.
